Bury Saint Edmunds, Church of Saint Mary

Foto’s: Chris Stafford © 2013/2016

John Compton Organ Company bouwde in 1959 een nieuw elektro-pneumatisch kegelladen-orgel voor de Church of Saint Mary in Bury Saint Edmunds (Suffolk). De speeltafel is vrijstaand en heeft een radiaal concaaf pedaalklavier.

Dispositie:

Great: Violone 16′ – extension, Open Diapason I 8′, Open Diapason II 8′, Open Diapason III 8′, Open Diapason IV 8′ – 1988, Stopped Diapason 8′, Octave 4′, Principal 4′ – 1988; extension, Chimney Flute 4′, Twelfth 2 2/3′, Fifteenth 2′, Seventeenth 1 3/5′ – 1988, Mixture 4 ranks (19.22.26.29), Bombarde 8′, Posaune 4′.
Choir: Contra Dulciana 16′, Open Diapason 8′, Dulciana 8′ – extension, Viola da Gamba 8′, Lieblich Gedeckt 8′, Flute Celeste 8′ (TC) – 1988, Geigen Principal 4′, Dulcet 4′ – extension, Hohl Flute 4′, Nazard 2 2/3′, Dulcetina 2′ – 1988; extension, Piccolo 2′, Tierce 1 3/5′, Octavin 1′ – extension, Tuba Magna 8′ – van Solo, Bombarde 8′ – van Great, Posaune 4′ – van Great, Tremulant.
Swell: Bourdon 16′, Open Diapason 8′, Echo Gamba 8′, Voix Celeste 8′ (TC), Rohr Flute 8′, Principal 4′, Lieblich Flute 4′, Superoctave 2′, Larigot 1 1/3′ – 1988, Mixture 3 ranks (15.19.22), Double Trumpet 16′, Trumpet 8′ – extension, Harmonic Horn 8′, Oboe 8′, Octave Trumpet 4′ – extension, Tremulant.
Solo: Viole d’Orchestre 8′, Viole Celeste 8′ (TC), Harmonic Claribel 8′, Concert Flute 4′, Orchestral Oboe 8′, Clarinet 8′, Tuba Magna 8′, Tremulant.
Pedal: Open Metal 16′, Open Wood 16′, Violone 16′ – van Great, Dulciana 16′ – van Choir, Bourdon 16′, Quint 10 2/3′ – 1988, Principal 8′ – 1988; extension, Octave Wood 8′ – extension, Violone 8′ – extension, Dulciana 8′ – extension, Bass Flute 8′ – extension, Fifteenth 4′ – 1988; extension, Viola 4′ – extension, Flute Octaviante 4′, Furniture 4 ranks (19.22.26.29) – 1988, Contra Trombone 32′ – 1988, Trombone 16′ – 1988; extension, Double Trumpet 16′ – van Swell, Tuba 8′ – van Solo, Cornett 4′ – 1988; extension.
Koppelingen: Choir to Great, Swell to Great, Solo to Great, Swell to Choir, Solo to Choir, Solo to Swell, Great to Pedal, Choir to Pedal, Swell to Pedal, Solo to Pedal, Choir Octave, Choir Suboctave, Choir Unison Off, Swell Octave, Swell Suboctave, Swell Unison Off, Solo Octave, Solo Suboctave, Solo Unison Off.