Foto’s: John Salmon © 2016
In 1891 bouwde Norman & Beard een nieuw orgel met een radiaal concaaf pedaalklavier voor de Holy Trinity Church in London (South Woodford). Het is later in een onbekend jaar herbouwd door Robert Spurden Rutt.
Dispositie:
Great: C – g3 Open Diapason 8′, Horn Diapason 8′, Clarabella 8′, Principal 4′, Flute 4′, Twelfth 2 2/3′, Fifteenth 2′, Mixture III, Trumpet 8′.
Swell: C – g3 (in zwelkast) Double Diapason 16′, Open Diapason 8′, Stopped Diapason 8′, Gamba 8′, Voix Celeste 8′ TC, Principal 4′, Mixture III, Cornopean 8′, Oboe 8′, Clarion 4′, Tremulant.
Choir: C – g3 Keraulophon 8′, Lieblich Gedackt 8′, Echo Dulciana 8′, Harmonic Flute 4′, Lieblich Flute 4′, Clarinet 8′ TC.
Pedal: C – f1 Acoustic Bass 32′, Open Diapason 16′, Bourdon 16′, Octave 8′, Bass Flute 8′.
Couplers: Swell to Pedal, Swell to Great, Swell to Choir, Swell octave to Great, Swell suboctave to Great, Swell octave, Swell suboctave, Choir to Great, Choir to Pedal, Great to Pedal.
Accessories: 4 thumb and toe pistons each for Great and Swell, 4 thumb pistons for Choir, General cancel and setter pistons for multi-channel combination action (8 by rotary switch under Choir stops), Balanced Swell pedal, Thumb pistons for Sw-Gt & Gt-Ped, Gt-Pd toe pedal, Tremulants to all organs.