Foto’s: Wim van der Kooij © 2025
In 2014 bouwde Quimby Pipe Organs opus 70. Een nieuw sleepladen-orgel met elektrische tractuur, 103 ranks, 58 stemmen, 4 manualen en een vrij pedaal voor de Catalina United Methodist Church in Tucson (Arizona) USA. Het pedaalklavier is radiaal concaaf.
Dispositie:
GREAT (C – c4) 61 TOETSEN:
Unenclosed Section: Bourdon 16′, Diapason 8′, Octave 4′, Twelfth 2 2/3′, Fifteenth 2′, Mixture 4 ranks (1 1/3′), Imperial Trumpet 8′ – from Antiphonal.
Enclosed Section: Harmonic Flute 8′ (c°-c””), Stopped Diapason 8′, Violoncello 8′, Violoncello Celeste 8′ (G-c””), Wald Flute 4′, Contra Oboe 16′ – from Swell, Trumpet 8′, Clarion 4′, Tremolo, Chimes.
CHOIR (C – c4) 61 TOETSEN: Contra Dolcan 16′, Geigen Diapason 8′, Flauto Traverso 8′, Gemshorn 8′, Gemshorn Celeste 8′ (c°-c””), Dolcan 8′ – extension, Dolcan Celeste 8′ (c°-c””), Geigen Octave 4′, Gedeckt 4′, Harmonic Piccolo 2′, Mixture 3-4 ranks, Harmonic Trumpet 16′ – from Pedal, Clarinet 8′, Tuba Mirabilis 8′ – from Solo, Harmonic Trumpet 8′ – from Pedal, English Horn 8′ – from Solo, Harmonic Clarion 4′ – from Pedal, Tremolo, Chimes – from Great, Harp 8′ – from Solo, Celesta 4′ – from Solo, Cymbelstern (8 Bells), Harpsichord.
SWELL (C – c4) 61 TOETSEN: Spitz Flute 16′, Diapason 8′, Chimney Flute 8′, Gamba 8′, Gamba Celeste 8′ (G-c””), Spitz Flute 8′ – extension, Spitz Flute Celeste 8′ (c°-c””), Muted Viol 8′, Muted Viol Celeste 8′ (c°-c””), Octave 4′, Triangle Flute 4′, Nazard 2 2/3′, Flageolet 2′, Tierce 1 3/5′, Mixture 4-5 ranks (2′), Contra Oboe 16′, Trumpet 8′, Oboe 8′ – extension, Vox Humana 8′, Clarion 4′, Tremolo, Tuba Mirabilis 8′ – from Solo.
SOLO (C – c4) 61 TOETSEN: Open Diapason 8′ – from Pedal, Solo Flute 8′, Bourdon 8′ – from Pedal, Spitz Flute 8′ – from Swell, Dulciana 8′ – from Choir, Solo Flute 4′ – extension, Tuba Mirabilis 8′, Harmonic Trumpet 16′ – from Pedal, Harmonic Trumpet 8′ – from Pedal, Oboe 8′ – from Swell, English Horn 8′ (G-c””), Clarinet 8′ – from Choir, Harmonic Clarion 4′ – from Pedal, Tremolo, Chimes – from Great, Harp 8′, Celesta 4′, Imperial Trumpet 8′ – unenclosed.
ANTIPHONAL ORGAN:
Antiphonal Manual (C-c4) 61 toetsen: Diapason 8′, Bourdon 8′, Octave 4′, Bourdon 4′ – extension, Fifteenth 2′, Mixture 2′, Imperial Trumpet 8′, Hooded Trumpet 8′, Cymbelstern.
Antiphonal Pedal (C-g1) 32 toetsen: Bourdon 16′ – transmission, Bourdon 8′ – transmission.
PEDAL (C – g1) 32 TOETSEN: Contra Bourdon 32′, Contra Violone 32′, Open Diapason 16′, Bourdon 16′ – extension, Violone 16′ – extension, Spitz Flute 16′ – from Swell, Contra Dolcan 16′ – from Choir, Octave 8′ – extension, Bourdon 8′ – extension, Spitz Flute 8′ – from Swell, Dolcan 8′ – from Choir, Super Octave 4′ – extension, Bourdon 4′ – extension, Mixture 2 ranks (2 2/3′) – extension, Grave Harmonics 32′ – derived, Contra Trombone 32′, Contra Trumpet 16′ – from Swell, Contra Oboe 16′ – from Swell, Trumpet 8′ – extension, Trompette 8′ – from Swell, Oboe 8′ – from Swell, Clarion 4′ – extension, Oboe Clarion 4′ – from Swell, Clarinet 4′ – from Choir, Tuba Mirabilis 8′ – from Solo, Harmonic Trumpet 8′ – from Choir.
KOPPELINGEN: Choir to Great (16′-8′-4′), Swell to Great (16′-8′-4′), Solo to Great (16′-8′-4′), Great to Choir, Swell to Choir (16′-8′-4′), Solo to Choir (16′-8′-4′), Choir to Swell, Solo to Swell (16′-8′-4′), Great to Solo, Swell to Solo, Great to Pedal (8′-4′), Choir to Pedal (8′-4′), Swell to Pedal (8′-4′), Solo to Pedal (8′-4′), Antiphonal to Pedal, Great to Great (16′-4′-Unison Off), Choir to Choir (16′-4′-Unison Off), Swell to Swell (16′-4′-Unison Off), Solo to Solo (16′-4′-Unison Off), Antiphonal on Great, Antiphonal on Choir, Antiphonal on Swell, Antiphonal on Solo, All Swells to Swell, Manual Transfer.
SPEELHULPEN: 10 Great Organ Thumb pistons 1′, 10 Swell Organ Thumb pistons 1′, 10 Choir Organ Thumb pistons 1′, 10 Solo Organ Thumb pistons 1′, 4 Antiphonal Organ Thumb Pistons 4′, 4 Pedal Organ Thumb pistons 4′, 8 Pedal Organ Toe studs 8′, 12 General Thumb pistons 12′, General Cancel, General Crescendo, Sforzando, Reeds Off, Mixtures Off, MIDI.