Fremantle, Basilica St. Patrick (hoofdorgel)

Photos:  Matthijs Breukhoven © 2008

Builder: J.C. Bishop & Son (England) build in 1898

Pedal: SubDiapason 32′ (Acoustic), SubBourdon 32′ (Acoustic), Principal 16′, Open Diapason 16′ (Wood), Subbass 16′, Lieblich Bourdon 16′, Octave 8′, Bass Flute 8′, Bourdon 8′, Viola 8′, Fifteenth 4′, Nachthorn 2′, Octave Flute 4′, Nachthorn 2′, Mixture IV, Contra Posaune 32′, Ophicleide 16′, Posaune 16′, Fagotto 16′, Posaune 8′, Trumpet 8′, Schalmey 4′.
Positive I: Gedact 8′, Quintade 8′, Prestant 4′, Rohrflute 4′, Octave 2′, Sesquialtera II, Quint 1 1/3′, Scharff IV, Krummhorn 8′, Trompette en Chamade 8′, Cymbelstern, Tremulant, Sub Octave en Unison Of.
Great II: Bourdon 16′, Principal 8′, Gamba 8′, Harmonic Flute 8′, Bourdon 8′, Octave 4′, Stopped Flute 4′, Twelfth 2 2/3′, Fifteenth 2′, Fourniture V-VI, Cymbel III, Cornet M.C. – V, Trumpet 8′, Posaune 16′, Trompette en Chamade 8′ (Positive),
Swell III: Lieblich Bourdon 16′, Open Diapason 8′, Rohrflute 8′, Gamba 8′, Voix Celeste T.C. 8′, Principal 4′, Koppelflute 4′, Nasard 2 2/3′, Fifteenth 2′, Harmonic Piccolo 2′, Tierce 1 3/5′, Larigot 1 1/3′, Octave Piccolo 1′, Mixture IV, Fagotto 16′, Trumpet 8′, Oboe 8′, Vox Humana 8′, Clarion 4′, Tremulant, Tremulant Fast, Octave, Sub Octave, Unison Off.
Choir IV: Lieblich Bourdon 16′, Contra Viola 16′, Harmonic Flute 8′, Bourdon 8′, Viola 8′, Salicional 8′, Unda Maris T.C. 8′, Harmonic Flute 4′, Octave Strings Salicional 4′, Piccolo Bourdon 2′, Sifflute Bourdon 1′, Corno di Bassetto 8′, Posaune 8′, Tremulant, Octave, Sub Octave, Unison Off.
Bombarde IV: Tuba Mirabilis 8′, Trompette en Chamade (from Positive) 8′, Posaune 16′, Posaune 8′, Posaune 4′, Cornet T.G. V, Nachthorn 8′, Nachthorn 4′, Octave, Sub-Octave, Unison Off.
Transept Organ Played on Grand Organ: Open Diapason 8′, Gedackt 8′, Spitzgamba 8′, Principal 4′, Flageolet 2′, Mixture III, Rohr Flute 8′, Echo Viole 8′, Voix Celeste T.C. 8′, Principal 4′, Lieblich Flute 4′, Octave 2′, Basson 16′, Hautbois 8′, Oboe-Dolce 8′, Bourdon 16′, Bourdon 8′, Basson from Swell 16′.
Couplers: Positive to Pedal, Swell to Pedal, Great 4′ to Pedal, Choir to Pedal, Choir 4′ to Pedal, Transept to Pedal, Swell to Great, Positive to Great, Bombarde to Great, Bombarde to Swell, Bombarde OFF IV, Choir ON Positive, Transept to IV, Transept to Swell, Swell off III-Gt, Great to Pedal, Positive 4′ to Pedal, Swell 4′ to Pedal, Bombarde to Pedal, Bombarde 4′ to Pedal, Swell 16′ to Great, Swell to Positive, Positive to Swell, Bombarde to Positive, Choir to Great, Choir to Swell, Transept to Great, Transept to Positive, Choir OFF IV, (& cpld. mans.) to IV.
Speelhulpen: Muldersoft capture System with 1 open & 3 secure areas;
Per User Area: 16 general thumb pistons, 8 divisional thumb pistons to Positive, Great, Swell and Choir; 4 divisional thumb pistons to Bombarde; 6 divisional thumb pistons to duplicate Transept Organ stop-tabs; 8 divisional toe pistons to Pedal and 8 duplicating Swell, Reversible thumb pistons for Bmb to Pos, Sw to Pos, Pos to Ped, Bmb to Gt, Pos – to Gt, Sw to Gt, Gt to Ped, Sw to Ped, Bmb to Ped, Ch to Ped, Gt to IV.
Reversible toe pistons: Sw to Ped, Sw to Gt, Gt to Ped, Bmb to Gt.
Thumb pistons: General Cancel – T.O. Cancel.
Overige: Crescendo facility with LED display of program and step number, Electronic Metronome, Transposer – 11 semitones up or down with LED display, Sequencer with 768 steps per user area (divided into 16 items of 48 steps) and insert facility, Thumb pistons for “SET” & sequencer “NEXT”, “LAST”, “RESTORE”; Toe piston for “NEXT”.; MIDI SEQUENCER:, MIDI IN/OUT/THRU port., 3 illuminated switches for:Choir Expression to Swell; “NEXT” on Divisional Pistons.; Invert Manuals II & I.; 4 position rotary switch for control of 2 swell pedals:; Drawstop for Choir Combinations to Positive Pistons; Choir & Swell expression Pedals; 3 switches for: Generals (9-16) on Pedal Toe Pistons., Generals (1-8) on Swell Toe Pistons., Great & Pedal Pistons Coupled., T.O. Closed / Open / to Swell / to Choir., Drawstop for Pedal Divide coupler.