Pictures: John Salmon © 2014
In 1856 bouwde de firma J.W. Walker & Sons een nieuw sleepladen-orgel voor de Church of Saint Barnabas in London-Kensington. Het is in 1879 uitgebreid door dezelfde firma. In 1934 werd het instrument door J.W. Walker & Sons omgebouwd. De tractuur is elektrisch.
Dispositie:
GREAT (C – c4) 61 TOETSEN: Double Open Diapason 16′, Open Diapason 1 8′, Open Diapason 2 8′, Open Diapason 3 8′, Wald Flute 8′, Octave 4′, Harmonic Flute 4′, Twelfth 2 2/3′, Fifteenth 2′, Full Mixture 3 ranks, Sharp Mixture 3 ranks, Tromba 8′, Clarion 4′.
CHOIR (C – c4) 61 TOETSEN: Contra Dulciana 16′, Open Diapason 8′, Stopped Diapason 8′, Viole d’Orchestre 8′, Voix Celeste 8′, Dulciana 8′, Wald Flute 4′, Nazard 2 2/3′, Piccolo 2′, Orchestral Oboe 8′, Clarinet 8′, Tremulant.
SWELL (C – c4) 61 TOETSEN: Lieblich Bourdon 16′, Open Diapason 8′, Stopped Diapason 8′, Echo Gamba 8′, Vox Angelica 8′, Geigen Octave 4′, Stopped Flute 4′, Flageolet 2′, Mixture 3 ranks, Double Trumpet 16′, Cornopean 8′, Oboe 8′, Vox Humana 8′, Clarion 4′.
PEDAL (C – g1) 32 TOETSEN: Acoustic Bass 32′ – acoustic, Open Wood 16′, Violone 16′, Open Diapason 16′ – from Great, Bourdon 16′, Echo Bourdon 16′ – from Swell, Dulciana 16′ – from Choir, Octave 8′, Bass Flute 8′, Superoctave 4′, Octave Flute 4′, Trombone 16′, Trumpet 16′, Clarion 8′.
KOPPELINGEN: Choir to Great, Choir Octave to Great, Choir Sub Octave to Great, Swell to Great, Swell Octave to Great, Swell Sub Octave to Great, Great to Pedal, Swell to Choir, Choir to Pedal, Swell to Pedal, Swell Octave, Swell Sub Octave, Swell Unison Off, Great Reeds on Choir.