Foto’s: Wim van der Kooij © 2013
Schoenstein & Co. uit San Francisco bouwde in 2000-2003 opus 139. Een nieuw sleepladen-orgel met elektrische tractuur voor de Conference Center of The Church of Jesus Christ of Latter-day Saints (LDS Church) in Salt Lake City (Utah). Het orgel heeft 5 manualen, radiaal concaaf pedaal, 103 stemmen, 130 ranks (rijen met pijpen) en 7708 pijpen. De speeltafel is verplaatsbaar. De stemmingstemperatuur is evenredig zwevend. De toonhoogte is a1 = 44o Hz. op 74 graden Fahrenheit. De windvoorziening bestaat uit 6 windmotoren.
Dispositie:
Great Manual II: C – c4
23 stemmen, 32 ranks, 1,905 pijpen
Winddruk 5½” (140 mm.)
32′ Dulciana …………………….61 pipes
16′ Double Open Diapason ..61 pipes
16′ Bourdon (Wood) …………61 pipes
8′ Stentor Diapason (Solo)
8′ Large Open Diapason…..61 pipes
(7½”/190 mm. wind)
8′ Open Diapason …………..61 pipes
8′ Horn Diapason …………..61 pipes
8′ Gamba ……………………….61 pipes
8′ Gemshorn …………………..61 pipes
8′ Harmonic Flute……………61 pipes
8′ Doppelflöte (Wood) …….61 pipes
4′ Principal …………………….61 pipes
(7½”/190 mm. wind)
4′ Octave ……………………….61 pipes
4′ Octave Gemshorn………..61 pipes
4′ Forest Flute ………………..61 pipes
2⅔’ Twelfth………………………61 pipes
2′ Fifteenth …………………….61 pipes
1⅗’ Seventeenth ………………..61 pipes
2′ Full Mixture IV-V……..266 pipes
(7½”/190 mm. wind)
2′ Mixture IV………………..215 pipes
1⅓’ Sharp Mixture …………..175 pipes
16′ Bass Trumpet ……………..61 pipes
(7½”/190 mm. wind)
8′ Trumpet……………………..61 pipes
(7½”/190 mm. wind)
4′ Clarion……………………….61 pipes
(7½”/190 mm. wind)
8′ Tuba Mirabilis (Orchestral)
8′ Millennial Trumpet (Solo)
Les cloches de Hinckley.32 notes
Cymbelstern
Tremulant
Swell (enclosed) Manual III: C – c4
22 stemmen, 28 ranks, 1,817 pijpen
Winddruk 5½” (140 mm.)
16′ Double Open Diapason .. 68 pipes
16′ Bourdon (Wood)………… 68 pipes
8′ Open Diapason…………… 68 pipes
8′ Small Open Diapason …. 68 pipes
8′ Silver Flute ……………….. 68 pipes
8′ Bourdon ……………………. 12 pipes
8′ Viole de gambe ………….. 68 pipes
8′ Viole céleste………………. 68 pipes
8′ Flauto Dolce………………. 68 pipes
8′ Flute Celeste (TC)………. 56 pipes
4′ Principal …………………… 68 pipes
4′ Harmonic Flute ………….. 68 pipes
2′ Fifteenth……………………. 61 pipes
2⅔’ Cornet III ……………….. 183 pipes
2′ Plein Jeu V ……………… 276 pipes
32′ Contra Fagotto …………… 68 pipes
(10″/254 mm. wind)
16′ Bombarde………………….. 68 pipes
16′ Fagotto 12 pipes
(10″/254 mm. wind)
8′ Trompette………………….. 68 pipes
8′ Cornopean…………………. 68 pipes
(10″/254 mm. wind)
8′ Oboe…………………………. 68 pipes
8′ Voix humaine…………….. 61 pipes
Separate tremulant draws
with Voix humaine stop knob
4′ Clairon harmonique ……. 68 pipes
4′ Clarion ……………………… 68 pipes
(10″/254 mm. wind)
Tremulant
Swell to Swell 16′
Swell Unison Off
Swell to Swell 4′
Choir (enclosed) Manual I: C – c4
23 stemmen, 23 ranks, 1,539 pijpen
Winddruk 5½” (140 mm.)
16′ Bass Viol ………………….. 68 pipes
8′ Viola Pomposa…………… 68 pipes
8′ Viola Celeste …………….. 68 pipes
8′ Echo Gamba ……………… 68 pipes
8′ Gamba Celeste…………… 68 pipes
8′ Viol d’orchestre …………. 68 pipes
8′ Viol céleste ……………….. 68 pipes
16′ Lieblich Bourdon (Metal)68 pipes
8′ Lieblich Bourdon……….. 12 pipes
8′ Concert Flute (Wood)…. 68 pipes
4′ Nachthorn …………………. 68 pipes
2⅔’ Nazard ……………………… 61 pipes
2′ Harmonic Piccolo ………. 61 pipes
1⅗’ Tierce……………………….. 61 pipes
8′ Echo Diapason…………… 68 pipes
4′ Fugara ………………………. 68 pipes
2⅔’ Twelfth …………………….. 61 pipes
2′ Fifteenth……………………. 61 pipes
1⅓’ Nineteenth…………………. 61 pipes
1′ Twentysecond……………. 61 pipes
16′ Flügel Horn……………….. 12 pipes
8′ Trumpet ……………………. 68 pipes
8′ Flügel Horn……………….. 68 pipes
8′ Cromorne………………….. 68 pipes
4′ Rohr Schalmei …………… 68 pipes
8′ Tuba Mirabilis (Orchestral)
8′ Millennial Trumpet (Solo)
Harp …………………………. 61 notes
Celesta ……………………… 61 notes
Orchestral Bells …………. 37 notes
Tremulant
Choir to Choir 16′
Choir Unison Off
Choir to Choir 4
Note: Choir stops are grouped by tonal
familyon specification and on stop jamb
Solo (enclosed) Manual IV: C – c4
10 stemmen, 19 ranks, 1,085 pijpen
Winddruk 11½” (292 mm.)
8′ Open Diapason……………61 pipes
8′ Phonon Diapason (Orchestral)
8′ Symphonic Flute …………61 pipes
4′ Principal …………………….61 pipes
4′ Octave (Orchestral)
2⅔’ Quint Mixture V………..288 pipes
8′ French Horn ……………….61 pipes
8′ Cor Anglais (Orchestral)
8′ Clarinet (Orchestral)
Celestial Chimes………….32 notes
Orchestral Harp …………..61 notes
Tremulant
Variable Tremulant
Separate Shades — Grand Solo – c-c4
Winddruk 17½” (444 mm.)
16′ Bass Tuba…………………..61 pipes
8′ Tuba ………………………….61 pipes
4′ Tuba Clarion ………………61 pipes
8′ Tuben (III Ranks)
Draws Bass Tuba, Tuba, and
Tuba Clarion at 8 pitch
2′ Tierce Mixture IV-VI…309 pipes
Unenclosed Solo stops
8′ Stentor Diapason …………29 pipes
Extends Pedal Open Wood
(25″/635 mm. wind)
8′ Millennial Trumpet ……..61 pipes
(15″/381 mm. wind)
Solo to Solo 16′
Solo Unison Off
Solo to Solo 4′
Orchestral (enclosed) Manual V: C – c4
10 stemmen, 10 ranks, 670 pijpen
Winddruk 10″ (254 mm.)
16′ Tibia Clausa (Wood)……12 pipes
8′ Phonon Diapason ………..61 pipes
8′ Tibia Clausa ……………….61 pipes
8′ Stentor Gamba…………….61 pipes
8′ Celeste……………………….61 pipes
4′ Octave ……………………….12 pipes
4′ Tibia Clausa ……………….12 pipes
2⅔’ Tibia Twelfth
2′ Tibia Piccolo ………………12 pipes
1⅗’ Tibia Tierce
16′ Clarinet………………………61 pipes
8′ Tuba Horn ………………….61 pipes
(15″/381 mm. wind)
8′ Clarinet………………………12 pipes
8′ Cromorne (Choir)
8′ Cor Anglais ………………..61 pipes
8′ Orchestral Oboe ………….61 pipes
8′ Vox Humana ……………… 61 pipes
(5½”/140 mm. wind)
Separate tremulant draws with
Vox Humana stop knob
Tremulant
Also draws Tuba Horn
tremulant
Variable Tremulant
8′ Tuba Mirabilis……………. 61 pipes
(20″/508 mm. wind)
Orchestral to Orchestral 16′
Orchestral Unison Off
Orchestral to Orchestral 4′
Pedal: C – g1
15 stemmen, 18 ranks, 692 pijpen
Winddruk 5½” (140 mm.)
64′ Gamba………………………… 4 pipes
(GGGGG#)
(10″/254 mm. wind)
32′ Diaphone (Wood) ………. 12 pipes
(25″/635 mm. wind)
32′ Diapason …………………… 12 pipes
(10″/254 mm. wind)
32′ Gamba………………………. 12 pipes
32′ Dulciana (Great)
32′ Sub Bass (Wood) ……….. 12 pipes
(10″/254 mm. wind)
16′ Diaphone (Wood) ………. 32 pipes
16′ Open Wood……………….. 32 pipes
(10″/254 mm. wind)
16′ Diapason …………………… 32 pipes
16′ Great Diapason (Great)
16′ Swell Diapason (Swell)
16′ Violone (Wood)…………. 32 pipes
(7½”/190 mm. wind)
16′ Gamba………………………. 32 pipes
16′ Bass Viol (Choir)
16′ Dulciana (Great)
16′ Sub Bass …………………… 32 pipes
16′ Tibia Clausa (Orchestral)
16′ Bourdon (Swell)
16′ Lieblich Bourdon (Choir)
10⅔’ Quint ………………………… 32 pipes
8′ Open Wood……………….. 12 pipes
8′ Principal……………………. 32 pipes
8′ Gamba………………………. 12 pipes
8′ Flute …………………………. 32 pipes
8′ Bass Viol (Choir)
8′ Sub Bass …………………… 12 pipes
8′ Bourdon (Swell)
8′ Lieblich Bourdon (Choir)
4′ Choral Bass ………………. 32 pipes
4′ Octave Flute (Flute)……. 32 pipes
4′ Bass Viol (Choir)
2⅔’ Rauschquinte II …………. 64 pipes
1⅓’ Mixture III ………………… 96 pipes
64′ Trombone …………………… 4 pipes
(GGGGG#)
(20″/508 mm. wind)
32′ Trombone …………………. 12 pipes
32′ Contra Fagotto (Swell)
16′ Trombone …………………. 32 pipes
16′ Bass Tuba (Solo)
16′ Bombarde (Swell)
16′ Bass Trumpet (Great)
16′ Fagotto (Swell)
16′ Flügel Horn (Choir)
16′ Clarinet (Orchestral)
8′ Tromba …………………….. 32 pipes
(15″/381 mm. wind)
8′ Bass Tuba (Solo)
8′ Bass Trumpet (Great)
8′ Bombarde (Swell)
8′ Fagotto (Swell)
8′ Clarinet (Orchestral)
8′ Flügel Horn (Choir)
4′ Tromba …………………….. 12 pipes
4′ Bass Trumpet (Great)
4′ Cromorne (Choir)
Pizzicato Bass
Plays 16 Open Wood at 8′ pitch
through pizzicato relay
Tower Chimes …………… 32 notes
Intermanuale Koppelingen:
Swell to Great 16′
Swell to Great 8′
Swell to Great 4′
Choir to Great 16′
Choir to Great 8′
Choir to Great 4′
Solo to Great 16′
Solo to Great 8′
Solo to Great 4′
Orchestral to Great 16′
Orchestral to Great 8′
Orchestral to Great 4′
Swell to Choir 16′
Swell to Choir 8′
Swell to Choir 4′
Solo to Choir 8′
Orchestral to Choir 8′
Orchestral to Solo 8′
Solo to Orchestral 8′
Great Tutti to Solo
Pedal Tutti to Swell
Pedal Koppelingen:
Great to Pedal 8′
Swell to Pedal 8′
Swell to Pedal 4′
Choir to Pedal 8′
Choir to Pedal 4′
Solo to Pedal 8′
Solo to Pedal 4′
Orchestral to Pedal 8′
Orchestral to Pedal 4′
Speciale Koppelingen:
Pedal Tutti to Swell
Pedal Tutti to Choir
Great Tutti to Solo
Pedal Divide 12/13
Pedal Divide 17/18
Pedal Divide 20/21
Pedal Divide deactivates
pedal coupler notes 1-12 and
pedal stop notes 13-32, etc.
Swell to Great Sforzando
Solo to Great Sforzando
Sforzando couplers activated
by toe lever
Grand Solo off Solo
Grand Solo on Great
Grand Solo on Swell
Grand Solo on Choir
MIDI to Great
MIDI to Swell
MIDI to Choir
MIDI to Solo
MIDI to Orchestral
MIDI to Pedal
Combinaties (198 memories):
General ………………………………… 0, 1-20
1-5 and 11-15 duplicated by toe
studs;
1-3, 5-7 and 13-15 duplicated on
right side of manuals
Great ……………………………………… 0, 1-8
Swell……………………………………… 0, 1-8
Choir……………………………………… 0, 1-8
Solo……………………………………….. 0, 1-8
Orchestral ………………………………. 0, 1-8
Pedal …………………………………….. 0, 1-8
Pedal pistons 1-8 duplicated on
thumb pistons under Manual I
Pistons:
Great to Pedal (thumb and toe)
Swell to Pedal (thumb and toe)
Choir to Pedal (thumb)
Solo to Pedal (thumb)
Orchestral to Pedal (thumb)
Solo to Great (toe)
64 Trombone (toe)
64 Gamba (toe)
32 Trombone (toe)
32 Diaphone (toe)
32 Fagotto (toe)
32 Sub Bass (toe)
Cymbelstern (thumb and toe)
Manual I/II (thumb)
with indicator light
Full Organ (thumb and toe)
with indicator light.
(Separate settings for each
memory level.)
Note: Coupler reversibles affect sub
and super couplers in off mode.
Treden:
Swell expression pedal
Choir expression pedal
Solo expression pedal
Orchestral expression pedal
Expression shoe selector
Crescendo pedal
(4 sequences, all adjustable
from console)
30-segment LED Crescendo
Pedal indicator
Accessoires:
Peterson MSP-1000 Master Stop
Processor system
Combination set
Memory selector
MIDI In/Out/Thru jacks
Yamaha MDF MIDI recorder
Digital clock
Clock mode selector
Stop/Start, Reset buttons
Clock synchronized to WWVB
Broadcast timer
Console fan on/of